The longer I watched Smaug, the less repulsive he looked. I noticed the subtle shifts in color on his scales. I will never be a reptile enthusiast, I can appreciate that they have their own unique ferocity and beauty.
(I still hate snakes, though. When my dad pointed out a bronze cobra statue in front of the reptile house, all I saw was a huge serpent shape. I leapt backwards and shrieked. Then I realized it was only a statue, not a giant cobra escaped from its enclosure.)
I knew I'd have to work quickly, because animals move around. I wasn't prepared for two other problems, however:
1) People. I sat at a distance so I wouldn't block anyone's view. But this meant my view was constantly being blocked by kids throwing themselves against the glass or fence, yelling, "HEY MONKEY," or "HEY SMAUG." Or couples taking selfies. Or entire families. Next time I'm taking a spot beside the enclosure and staying there.
2) The sheer discomfort of juggling pencils, brushes, and paint while sweat and sunscreen is trickling down my arms. As I've discovered with museum sketching, supporting a sketchbook, drawing AND holding pencils is uncomfortable and frustrating. Add a watercolor palette and water, and I knew I'd have to work sitting, not standing. Another reason my view was frequently blocked by a parade of people.
Gurney uses watercolor pencils and water brush pens to save on some of the hassle. Before I attempt this again, I ought to buy some. And whenever the Nomad Satchel finally becomes available for order, I'd like to get one. I missed their Kickstarter, but supposedly more will be for sale during the second half of 2015.
In other news, this week I finally got a smart phone and joined Instagram. Come follow me there! I'll be posting in-progress shots.
@paigencarpenter on Instagram.