IMC 2013 - Day Three

Today I began by obsessing over bones and muscles. I want my painting to have a very Classical/Grecian statue mood. Florence_statue_hercules_killing_the_centaur

(Update: a reader has informed me that this is a statue of Hercules fighting Nessus, sculpted by Giambologna.)  I found this amazing statue in one of my Google searches, but I can't find the name of the artist. This is Hercules fighting a centaur. I love that hand pressing against Hercules' chest. I want to use that hand.

So I went back to my reference photos and began piecing together arms and legs and torsos.

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At this point Donato told me to stop obsessing over musculature and concentrate on the faces, since the faces are the most important thing-- that's where the viewer's eye will linger, and the emotion on the faces is what will make the painting.

So I went and drew emotive faces.

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James Gurney came today to give a lecture. He walked around the studios and stopped to talk with me for a while. He said he loved those heads!

Several other people thought that these faces weren't expressive enough, so I turned on Youtube and got Tom Hiddleston's face and drew sad Loki and screaming Loki. That ought to be emotive enough.

In the end, I decided I really like that second pair of Thor and Loki heads. Those are the faces I'm going with. This is a moment of calm in the midst of the battle, when Thor has to decide if he really has the strength of will to bring that hammer down on Loki.

IMC 2013 - Day One

I'm back at the IMC! I loved it so much last year that I had to come again. (It's totally worth the money.) The first day was spent in critique groups. My sketches of Thor and Loki were critiqued by Julie Bell and Donato Giancola.

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And the photo is blurry because they were moving so fast for my camera couldn't keep up.

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EVERYONE, including my brother, his wife, other students, Donato, and Julie agreed that the sketch on the bottom right is the best. Thor and Loki are eye-to-eye, staring at each other. The moment before the hammer comes down and the dagger strikes. Old friendship vs. bitter hatred.

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Julie's quick marker drawing of the basic shapes in the design. Ball of lightning in the upper left from Mjölnir. White column-shapes of the bodies. Dark mist around them.

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I went back to Donato for more help with the pose. He did these sketches as suggestions. His paintings are so deeply emotional and epic, and I want to channel as much of that as I can.

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More revised thumbnails. Tomorrow I'll shoot my reference photos. I've already cornered a model for Thor...